An excellent disc, one of the choice recordings of … What was I saying about slow? Valery Gergiev, Mariinsky Theatre Orchestra, 2001, SACD. 43, Allegro, poco moderato – Presto – Tempo I, Part 2 Rudolf Barshai, WDR Symphony Orchestra, Recorded in 1996 as part of a complete symphony cycle, on CD. The climax is powerful, and is something you might consider getting out when friends come round and need to be impressed. April 2, 2020, at 6:00 pm WATCH PARTY. Shame. WQXR Navigation. ... Shostakovich | Symphony No. Log in. So we need to see aspects of a performance which are little less safe, a little more out there. I call this passage the “swarm of locusts”, and in Nelsons’ hands it makes for exciting listening: Unfortunately, this recording would make for a superb teaching case for how the whole can be less than the sum of its parts. The first, featuring the performers who gave the world premiere, dates from 1945. Rozhdestvensky Symphony No. , so I will be able to give it a serious listen on my reference system sometime soon. Yes, his tempi are a little on the slow side, and there is a question as to whether that is the best artistic choice for this work (but see Pletnev, Mikhail). But there are far too many recordings available for me to cover them all, and if I have to draw a line in the sand somewhere it must inherently be done in a somewhat arbitrary fashion. Vasily Petrenko, Royal Liverpool Philharmonic Orchestra, 2013, SACD. You can also subscribe without commenting. The current date and time is, Best recording of Shostakovich's 4th symphony, F. Magle - Contemporary Classical Composer, Organist and Pianist. Yet this same wistfulness becomes a tendency on occasion towards lethargy and indecision. If the selection committee is in any doubt, I would point them at this recording. This performance was rather well received by the critics, and rightly praised for the English conductor’s vision of the work as a unified whole. It sounds great, it’s exciting, and it may be just what you’re looking for. Donate. HIGH PERFORMANCE HOME AUDIO PRODUCTS Take this section from the second movement. A year later, the piece had been performed in Europe and the United States, and Shostakovich had become a household name. It just doesn’t work – incredibly so – and ruins an otherwise impeccable performance. Honorable Mention: Symphony no. 65, by Dmitri Shostakovich was written in the summer of 1943, and first performed on November 4 of that year by the USSR Symphony Orchestra under Yevgeny Mravinsky, to whom the work is dedicated.It was named the 'Stalingrad Symphony' by the USSR. Lots of excitement, but not so much as to break the tension going forwards: It is a promising performance of the 4th, with a lot to commend it. His phrasing is generally melodious, yet thoughtful. Jansons’ reading of the climax and coda are up there with the best, although, as we’ll read later, there are some other guys out there who will nail those final sonorities with style and precision. Even stranger, therefore, that he has agreed to serve in an unpaid role as a columnist, which he writes from Montreal, Canada. Recommended recording: Kiril Kondrashin. Not in the Hollywood way, but in the musical sense, where everything just makes sense, and you come away with a deeper understanding of what the composer originally had in mind. But movements 2 and 3 fail to deliver on the pre-election promise, and leave the listener feeling slightly cheated on just what could have been. I had to undertake an incredible amount of listening to prepare this article, and it has only served to deepen my respect for, and understanding of, this remarkable work. USSR Ministry of Culture Symphony Orchestra, Gennady Rozhdestvensky This was recorded back when Rattle was just plain old Simon, and Claudio Abbado was the Maestro at the helm of the Berlin Phil. Smetana Trio. But guess what, it does kind of work for him! Separately (and somewhat related), recall the 2nd movement of Shostakovich’s 5th — do you hear echoes of “Being for the Benefit of Mr. Kite”? 2. But it’s nice to read that you enjoyed my recommended – if idiosyncratic – Pletnev recording. As for Salonen's Shostakovich 4th symphony it may well work it's way into a Grammy this coming Winter. The problem is that the energy and tension in a classical music performance of this magnitude needs to build and release, build and release, build and release. Even the second movement, a troublesome interlude which manages to trip up the most sophisticated of conductors is handled expertly by Barshai. So in summary, do we have a winner? It was also just a few short years after I saw him conduct the Bournemouth Symphony Orchestra on Paignton Pier. Take this short passage from the first movement: The sonorities of the BBC Phil are a mixed bag. Dmitri Shostakovich composed his Symphony No. 43 It has you just closing your eyes: In many ways Kitaenko’s is an old-fashioned interpretation, invoking impressions of Klemperer or Solti. He really doesn’t have a lot to say for himself with this repertoire. Before handing out the medals, let’s shout out a few honourable mentions. But I found the YouTube link you mentioned, and have just finished listening to the first movement – and I was very much impressed. The Shostakovich 4 th Symphony is one of those unique works in musical literature: you can't really determine whether it is happy or sad, angry or schizophrenic, musically pioneering or a combination of these. I have this CD because Maris Jansons is, if I may be so bold, among living conductors today, right at the top of the tree. A Survey of Recordings of Shostakovich Symphony No. This is another excellent release in the LSO Live series, recorded natively in DSD256 but only available thus far as a DSD64 download from nativedsd.com. I have listened to Maxim Shostakovich conducting the LSO and Bernstein's recording too, but I have heard that Mravinsky's live recording is the way to go. Sinaisky scores points for the air of mystery and understated menace which pervades this interpretation. Alpha’s recording reproduces the performance in vivid, wide-ranging sound. Here’s how he handles the heavy going early on in the third movement. But Gergiev isn’t setting anything particularly attractive upon it: The Mariinsky Orchestra (previously known as the Kirov Orchestra) has a stellar reputation, but you wouldn’t know it from the raggedy playing and the occasionally strident woodwind sounds. But my all time fave is from Rozhdestvensky (see below). 4 By Richard Murison Back in Co p per #39 I wrote a piece on the unsung 4 th Symphony of the great 20 th Century Russian composer Dmitri Shostakovich, and I hadn’t managed to cover a selection of the available recordings, or make a recommendation. Also to Rudolf Barshai and the WDR Symphony. 4 … Instead we have a performance of genuine character. 9 is important: it’s not ‘To the New World’; it’s ‘From’ - this is very much a symphony that looks back, from the USA, to the composers native Bohemia. I haven't really yet listened to his output with the Scottish National Orchestra (on Chandos) but his recordings with the great Gothenburg Symphony Orchestra (DG/Universal) are some of my absolute favorites, especially the works with vocal parts, like symphonies nos. ... Oh, and the brass chorale that bridges the 3rd and 4th movements is one of the best moments in any symphony anywhere. If you’ve been let down a lot in your life and become accustomed to it, perhaps you won’t mind this one so much. The entire first movement is a mouthwatering feast for the auditory senses, and sets the table creaking with goodies. At no time does Gergiev lose his way, and the quiet passages and loud outbursts alike give way to each other naturally and progressively. It pretty much screams like Axl Rose: The RLPO delivers an assured performance with a thrillingly refined, yet youthfully exuberant orchestral texture. More surprising is t… Bruckner: Symphony 4. Over the decades those varied descriptions have been ascribed to this puzzling and quite individual work. Showing 1 - 10 of 64 results An interesting pattern thus far. But what to make of the piece – or of Shostakovich himself? The first recording of Shostakovich's Fourth Symphony that I heard was Haitink leading the London Philharmonic in 1979 (see my review of Haitink's Decca cycle). 4 in C minor, Op. NYPR Network. Sign up. In second place, and it could just as easily be in first, Mikhail Pletnev and the Russian National Orchestra. Mariss Jansons, Symphonieorchester des Bayerischen Rundfunks, 2004, on CD. His tempi are wildly inconsistent – too slow in places – and, having established a slowness of tempo, way too fast in others. Listen Live. And that’s not apparently in Jansons’ comfort zone. 11, 'The Year 1905' Thomas Søndergård BBC National Orchestra of Wales PROMS, LONDON 2013... Shostakovich's Symphony No. It is a performance which is captivating to listen to from beginning to end. 4!!) Their Shostakovich cycle (also on PENTATONE) was widely acclaimed as “the most exciting cycle of the Shostakovich symphonies to be put down on disc, and easily the best recorded.” (SACD.net). Of course my opinions are just that – opinions. WQXR Navigation. Günter Wand. Everything is just a little bit too refined, too polite. But since it was a live concert recording, I’m guessing that was not on the agenda. The music was seemingly held together and driven forward by an energy which was not of the notes themselves but of some force between the notes unheard but almost as palpable. 4. Shostakovich: Symphony No. I have several of the recordings you mention, and have to agree that the last Gergiev is the best of the bunch that you have mentioned/I have heard. I have included sound bites from each of them, all in 320mbps MP3 format, converted by myself using in-house software. Licensed to YouTube by Bernard Haitink, London Philharmonic Orchestra, Recorded in 1979 as part of a complete symphony cycle, on CD. But they do give their best, and at the end of the day their best is better than many of the recordings reported here. Find out which are Shostakovich's best symphonies. Neeme Järvi is another conductor with a pre-eminent reputation, and here he is on Chandos conducting the Scottish National Orchestra in another performance to add to the ‘meh’ pile. 14/Currentzis. Browse: Shostakovich - Symphony No. In January 1936, halfway through this period, Pravda—under direct orders from Joseph Stalin —published an editorial "Muddle Instead of Music" that denounced the composer and targeted his opera Lady Macbeth of Mtsensk. 4 & 11," Andris Nelsons, conductor (Boston Symphony Orchestra) Best Opera Recording: "Bates: The (R)evolution of … And put it straight he has. It’s really a perfect night out…right up until the moment she says no. In third place, Vasily Petrenko and the Royal Liverpool Phil. © 2021 PS Audio. In January 1936, halfway through this period, Pravda—under direct orders from Joseph Stalin —published an editorial "Muddle Instead of Music" that denounced the composer and targeted his opera Lady Macbeth of Mtsensk. He has guest-conducted in the past…so who knows? 6’s ride to manic elation, or the unwavering gaze into the abyss that is the Symphony No. Kyrill Kondrashin and the Moscow Philharmonic (Melodiya): Sound is reasonable (harsh at tuttis), but likewise a great playing. And the sound quality, while not quite up there with the Pentatone, is still pretty darned good, with just a little bit more soft compression than you’d ideally like to see. Check out the issue Table of Contents here... Back in Copper #39 I wrote a piece on the unsung 4th Symphony of the great 20th Century Russian composer Dmitri Shostakovich, and I hadn’t managed to cover a selection of the available recordings, or make a recommendation. 4 – Düsseldorf Symphony Orchestra/Adam Fischer ... Dmitri Shostakovich Wrote 15 Symphonies. I have always advocated for this symphony to be played with almost a reckless abandon, and this is what Noseda seems at first glance to be aiming for. And the SACD sound does not compare at all favourably with Pletnev’s rich Pentatone recording. 43 by Dmitri Shostakovich (1906-75). Mark Wigglesworth, Netherlands Radio Philharmonic Orchestra, 2005, on CD. Released only as part of a 12-SACD box set, this recording can be hard to come by, but in fact the entire set is rather good. So, without further ado, let’s get the ball rolling: Andris Nelsons, Boston Symphony Orchestra, a live recording from 2018, 24/96 download. All Myung-whun Chung and the Philadelphia Orchestra (DG): Similar qualities as Jarvi's. Yannick Nézet‐Séguin, Rotterdam Philharmonic Orchestra, December 2016, 24/96 Download. 4865 Sterling Drive • Boulder, Colorado • 80301 • 800-PSAUDIO • +1-720-406-8946, A Survey of Recordings of Shostakovich Symphony No. I’ll ask Mr. Collins represent the firm of Ernst & Young to hand me the envelope…. The Symphony No. I have confined myself to those recordings I have in my personal Library, which means I have by necessity had to omit some highly regarded and notable performances, such as the original recordings by Kondrashin with the Moscow Philharmonic. Register now to continue reading Thank you for visiting Gramophone and making use of our archive of more than 50,000 expert reviews, features, awards and blog articles. But Wigglesworth does make it work. From the first bars to the last, young Petrenko (unrelated to Kyril Petrenko, who succeeded Rattle at the Berlin Philharmonic) delivers a poised and assured rendition. Finally to Dmitri Kitaenko and the Gürzenich Orchester Köln. Gergiev gives us a very Russian reading of a very Russian symphony. The orchestral tones are suitably dark throughout. They provide the closest approach yet to my ideal of wild abandonment, yet when a sophisticated touch is called for they deliver a convincing impression of the Concertgebouw. Richard Murison enjoyed a long career working with lasers, as a researcher, engineer, and then as an entrepreneur. Particularly with the 4th. Dmitri Kitaenko, Gürzenich Orchester Köln, Recorded live in 2003, SACD. Von Karajan’s recording of this strange, awkward, magnificent symphony with … Listen to this difficult passage from the third movement, where he really doesn’t seem to know where he wants to go with it: So, in broad strokes, we have a performance which is really quite promising in many places, with polished sonics and Salonen’s usual assertive dynamics. Have a listen to the introductory bars of the first movement: While Noseda is delivering what I was hoping to hear, at the same time there is a kind of holding back by the LSO players, a reticence to really let themselves give it a proper go. Best story to illustrate how cool a piece this is: the first time I heard was in the parking lot of a Best Buy. I think Neeme Järvi has a great feel for these and other works by Shostakovich. NYPR Network . But if you find yourself on your feet, trying to wave the baton a little faster, then maybe you’d be happier elsewhere. Supraphon SU41452 375. Much has been said of the fact that Shostakovich was inspired by Mahler’s 4th symphony, and Pletnev’s measured tempi do much to emphasize the Mahlerian essence of Shostakovich’s offering. Review by: Victor Carr Jr. ... (Still, it’s hard to forget Rostropovich’s deluge of strings once you’ve heard it). Album There is an element of cacophony to the sound, and while that is undoubtedly inherent in the symphony, and arguably even desirable in an ideal performance, here it just fails to hang together. He doesn’t even reach the level of the largest part of the Barshai recording. OMG, if you want slow, then this one has slow by the bucketful. I was initially impressed, but I came to find it ponderously slow compared to others, including my reference recording by Neeme Järvi leading the Scottish National Orchestra in 1989 (see my review). This sort of thing is again prominent in his Eighth symphony. But most are taken off CD. 8 in C minor, Op. Finally, if you’re still reading, here we go. 5 Jess Gillam, saxophone . It has a touch of the Furtwanglers about it. Where Wigglesworth’s slow pace makes you want to jump up and wave your baton, Pletnev’s hypnotic and mesmerising sound instead slows your world down to his pace. It’s as though he is pining for the more accessible classicism of a Tchaikovsky or a Sibelius. There is a lot of frenetic playing that seems frenetic for its own sake, and a degree of frenetic sameness seems to take hold. So I had high hopes for this one. Pletnev has the vision, and the chops to deliver it in truly convincing fashion. Best recording of Shostakovich 5 Hey all, I've been searching out a recording of Shostakovich 5 to buy. Recently, though, he started an audiophile software company, BitPerfect, and consequently he can no longer afford it. In the passage below the introduction to the first movement has passed, and now it’s time to start setting the table. So there might be quite a few 9ths in this list, but that's OK. Jan-27-2016, 05:28 #2. Here is the entirety of the final climax, with its Mahlerian coda that closes out the symphony: This is a sure-footed performance that deserves serious consideration. Gergiev plods through this one just like he does most everything he conducts. It is, if I may put it this way, a colossal premature ejaculation, in which the carefully controlled tension breaks, not so much in a controlled release, as a chaotic explosion which is suddenly over and has given way to the coda before you realized what has happened. Here is a typical example, which Shostakovich seems to be trying to summon some sort of demon from a Siberian mud swamp: But somehow Jansons isn’t pulling ahead of the pack with this particular performance. As a live Prom concert recording, the sound quality falls short of that offered by some of the outstanding recordings here, and the performance itself is also not going to win my top award, but both are worthy of a solid mid-pack listing. He sets off at a brisk tempo, promising an energetic and forceful reading; but it is a politician’s promise. The best recordings of Shostakovich’s Symphony No. IMHO, if you are a fan of the 4th, it’s simply a must-hear performance. And it has a lot of Jansons about it. Most of the parts of Nelsons’ recording are really excellent in isolation, and serve very well as exemplary snippets. 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